
-Orson Welles

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Week 11 History: Modern Editing
So now we've come to what we consider "modern editing". We can see vast differences from D.W. Griffith's seamless editing and Sergei Eisenstein's montage, but still the roots of both theories survive and are utilized here.
After viewing the videos, click on the "D" to the left to go to Moodle and take part in the discussion forum.
Project 4: "Jump Cutting" Due
Project 4: Jump Cutting is due this week by 11:55PM Sunday. Review the tutorial on the next tab, if you need to.
When you're ready, click on the "P" to the left to go to Moodle upload forum for Project 4. There, you'll be able to submit the video links to your project, and critique your classmates projects as well.
Week 11 Reading & Assignment
Lucky! There is no additional reading this week.
This assignment is about developing a critical eye for cinema. Not just cinema, but specifically shots and the editing of those shots. So what we're going to do here is analyze a scene for how many cuts are present, how many different shots are present, and why these shots and cuts were made.
Take a look at the scene from Unforgiven provided in the "Example" tab. After watching the video, click on the "A" to the left to go to Moodle where you'll find all your instructions.